Armani and his designs

Well, well. Milan designer Mr. Armani has really outdone himself this time. You may remember that his clothes were at the Guggenheim six or seven years ago. This is the same exhibition, with a new set by Robert Wilson, that’s been touring the world and has finally come home. Too few designers find that exciting enough of an inspiration, which made his work so special and distinctive. Unfortunately the only working woman whom I could see wearing his latest collection would be one that loitered in hotel lobbies at night with an eftpos machine in her handbag.

I’m told that Mr. Armani is creating a permanent museum space in Milan, designed by Tadao Ando. I can’t think of another living designer who deserves it more, not that it matters what I think. The body of work presented at the Triennale, in blackened rooms and with the dresses mounted on nearly invisible forms, is awesome. A very high-class hotel lobby mind you, but you get my drift.

Thank god his retail stores, particularly SOME of his menswear outlets, still trade in ‘the real thing!’One can still turn to our trusted, knowledgable friend for all the right answers there. There are some of the most understated pieces he’s ever done, a soft navy pantsuit with a matching crepe blouse — and some of the very elaborate and delicate evening dresses based on Asian influences.

Designer John Galliano

John Galliano, the cheif designer of Dior, has recreated the dove-gray look of the salon, with a pair of enormous chairs to remind us of his capacity to distort reality. Sure, the clothes evoked Madame Butterfly, but in their sugary colors and their playfulness, they also told the story of Galliano’s 10 years at Dior. The collection is beautiful, really. But someone would ask who in the right mind living on Planet Earth is going to wear them, for Nicole Kidman only attends the Oscars once a year, you know.

Then, fashion is fashion. Before it comes into dailly life, it must be changed. But fashion designs is more to show the figure beauty of human body than dailly wear. He had the girls walk among the guests, so that you could touch the clothes, and he had all the top girls, including Shalom Harlow and Jacquetta Wheeler, who at one point was having so much trouble negotiating some steps in her enormous dress that I thought one of the ushers might have to perform a fireman’s lift.

The exquisite beauty of a John dress, in a multicultural world, it seems almost hokey. In the hands of Galliano, it seems completely believable. Before long, I’m off to the Dries van Noten show, which is near the Place du Trocadero, and, as I reminded Bernard Alloux, that means a sandwich from Carette. After this, I will write a review about the difference between this two designers.

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Designer’s confidence

It is obvious that the style of Antonio is very austere. Antonio Berardi believed that’s what people seem to want from him. He opened with the kind of strict, sexy tailoring—in black, naturally—that he’s been doing since the last time austere was a buzzword. But, somewhat I think Berardi only got his formula half right. But, if you ask me what is the other half, I could not point it out in detail. It is there I can feel it, while I can not catch it.

Of him, Jackets and coats with fine boning fit like a glove in front, but their backs were left free; an hourglass sheath clung to every curve, all 360 degrees. Also in the plus column was an interlude of thirties-style bias-cut gowns. Backstage, he boasted that after increasing prices on his pre-fall collection, sales had gone up 50 percent.

What he said is not accountable, we will see then. But the runway-only looks that made up a percentage of today’s show won’t do anything for his burgeoning bottom line. The finale gowns were a bit of a puzzle, too. Stretch-mesh minidresses embroidered all over like armor were Berardi at his body-conscious best, so why did he add billowy capes as big as parachutes? However, I am quite sure Where he went wrong was with the furs, piecing together gray mink to resemble a human spine and dying an enormous coat a too-vivid shade of yellow.

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The designer’s working environment

Despite designers enjoyed a very high credit, but their work environment is not as what we thought. disigners Generally speaking, there are two types of working designers. One is like employees. Fashion designers employed by manufacturing establishments, wholesalers, or design firms generally work regular hours in well-lighted and comfortable settings. They frequently adjust their workday to suit their clients’ schedules and deadlines, meeting with the clients during evenings or weekends when necessary. Designers who freelance generally work on a contract, or by the job.

The other one is free workers. Regardless of their work setting, all fashion designers occasionally work long hours to meet production deadlines or prepare for fashion shows. Freelance designers tend to work longer hours and in smaller, more congested, environments, and are under pressure to please clients and to find new ones in order to maintain a steady income.

Most fashion designers travel several times a year to trade and fashion shows to learn about the latest fashion trends. The global nature of the fashion business requires constant communication with suppliers, manufacturers, and customers all over the United States and the world. Designers also may travel frequently to meet with fabric and materials suppliers and with manufacturers who produce the final apparel products. I believe that the travel would bring them fatastic idea.

Lauren, more than a designer

Who is Lauren? He is a man who owns a ranch in Colorado, homes in Jamaica and Long Island, an estate in Bedford, New York to add to his Fifth Avenue Manhattan address. A man whose car collection ranges from a 1929 Bentley and a 1937 Alfa Romeo, to a 1938 Bugatti and a 1962 Ferrari. A man who offers everyone the opportunity to look as good as he does, simply by purchasing his products.

As a designer, What makes Lauren so successful? I think, his keen business sense, ability to stand by his product at all costs and ability to prevail despite several business failures are what make him a man whose net worth is $1 billion. His line of clothing and home collection have the taste and snobbism, minus the flashiness that make the Ralph Lauren/Polo brand timeless.

And it is Lauren’s innovativeness, among many other traits of the model businessman, that has made him the founder, designer and chairman of Polo. Not only was he the first fashion designer to have his own store, but he was the first to sell the whole lifestyle image that consumers flock to worldwide. Lauren sells much more than clothes and home furnishings; he sells a lifestyle image of sophistication, class and taste. All in all, he is more than a designer, he is a fight, a model of those who want to make their own fortune.

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The designer of the developing countries.

People from developing countries are doing good in every field of the economic aspect. While in the design field, it is rare. However, one of the most prolific designer, Alexandre Herchcovitch, is from Brazil. Of Romanian and Polish extraction, he knew at the age of ten what he wanted to do with his life. Herchcovitch wasted no time launching an eponymous line, which was first conceived and shown in Brazil. He was a truely man of fashion, he had not other experience other than fashion related. Maybe we should call him a man of clearly destination.

He showed of his talent in fashion design from very young age. While attending a local Jewish orthodox school he made clothes and often dressed his mother, who ran a lingerie factory. The fashion training that followed was completed at the Catholic institution Santa Marcelina College of Arts, also in his home city. Now, talk about his design styles. Inspired by politics and art, Herchcovitch’s unique Brazilian flavour is mixed with myriad influences which result in complex clothes for people who are not shy of making a statement. For example, a tailored jacket may look straightforward when viewed from the front, but a cascade of colourful fabric ruffles dance down its back, finishing in a floor-sweeping train.

Obviously, he is becoming more and more popular. More recently his designs have been seen on the runways of London, Paris and New York. His spring/summer 2005 collection marked his debut in Manhattan where he transformed the catwalk into a bright, floral maze that clashed appropriately with his eclectic prints and colourful designs. In addition to his menswear and womenswear lines, he also produces four denim collections a year, has two stores in Sao Paulo and boasts a handful of partnerships with major companies, including Converse, which is the name of this blog.

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Designer Karan’s 2010 RST

The famous designer, famous for her best design of woman clothings, Donna Karan, who braved Seventh Avenue on her bicycle this morning, showed a lovely Resort collection full of delicate, romantic pieces that might cause a woman on the move to seek a less hazardous mode of transport—the back of a town car, kind of that. Wall Street might be dancing on the rim of a volcano, but Donna Karan is swinging in the streets. Her brightly hued Manhattan Tango Resort was a celebration of confidence and femininity, not to mention wearability. What she said sbout this was We’re aiming for complete flexibility.

In Karan’s mind, it’s sort of boudoir in feeling. The palette was one of soft makeup colors, including blushes, pinks, and nudes. These were worked into textural suits and alluring dresses that gently bubbled away from the body or showcased delicate embellishments and bows. Of the breathtakingly pretty sculptural draped gowns in jersey and silk, Karan simply explained that those are fabrics that talk which tells you what they want to do and you just let them go. What a freewheeling attitude.

Karan’s 2010 RST show is very cool, and show us a brand new style of the clothes fashion. And Karan’s nautical striped espadrilles should put a spring in anyone’s step. No stretch of the imagination is necessary to picture how these looks—a rounded-shoulder, bow-tied, paper-thin leather jacket; a peplumed tux; a sensually draped dress with lingerie detailing; a white twist-tie blouse and full print skirt—would fit into an ideal summer wardrobe. I saw this show on TV, and watched to the very end. I think I really like it.

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Round cute Sunglasses

“This is what fashion is,” said Simon Jablon, the English designer behind the Linda Farrow sunglasses label, which was founded by his mother in 1970. “It is a trend. You can just sense it. You have a feeling for where things are going to go.” The hot eyewear look of 2008 was pretty much defined by plastic Wayfarer knockoffs, garish neon trapezoids often seen color-coordinated with a plaid shirt and sneakers. Or else it was “shutter shades,” those ventilated blinders popularized by Kanye West. While most fashion trends — and especially this one — are circular, round sunglasses, seemingly everywhere all at once, provide a case study of the group-think mentality of the fashion industry. There are even inexpensive examples at Urban Outfitters and Fred Flare.

Given that there is no obvious source for the revival and that typically it takes more than a year to develop expensive sunglasses from a design to prototype to salable object, how could it be that all of these designers stumbled upon the same idea at the same time? Designers are looking at the same things — art exhibitions, fashionable parties, rock stars — so their impulses are often surprisingly in step with one another. But sometimes it’s possible to trace where their ideas are coming from.

This summer, however, the memo for sunglasses says circles are in. Very round shapes, as round as goggles in some cases, appeared in the recent women’s collections of Marc Jacobs and Proenza Schouler; and, for men, from Ralph Lauren, Zegna and Lanvin (most costing from $300 to $400). Last month, New York magazine included round sunglasses among the anticipated trends of the summer. And, as predicted, they are already appearing on the streets in numbers not seen since the release of the last Harry Potter book.

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Fashion ways of buying old stuff

We always making something new, as well as the ways of doing things. The e-tailing juxtaposition of very old and very new is, well, not new. Vintage obsessives have been trawling eBay since two crashes ago, but the latest news on the front comes from Bluefly.com and Yoox.com.

The former is teaming up with fine jewelry buyer CIRCA for a 48-hour sale, starting at 6 a.m. on June 8, when bargain hunters can buy heirloom and estate pieces from Bulgari, Cartier, Tiffany, and Van Cleef for less without leaving their desks. How much less? A Van Cleef & Arpels Alhambra necklace worth $4,900 goes for $3,920. Or you could snag a Cartier Love bracelet, originally $3,850, for $3,080.

The one slightly strange throwback is that though you can see the jewelry on your Mac, orders will only be taken by phone from a real live human being, reportedly well trained in customer service. Now there’s an idea so old it’s new again. Meanwhile, this Thursday, Yoox.com is having a dual debut of its new iPhone app and an impressive cache of Pucci—always a smart vintage buy in my opinion—dresses, scarves, jewelry, and swimwear.

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Fashion people wearing fashion suits

The fashion world! Fast favorites among starlets like Sienna Miller, Rachel Bilson, and Kristen Stewart, last year’s Kain Label pocket tees and tanks are no fleeting trend. Just in time for summer, the Los Angeles boutique Vionnet is launching a limited-edition capsule collection of SoCal native Amanda Kain’s signature designs, but with their drapey pockets rendered in silk charmeuse.

Available in white, black, mauve, and gray, they’re perfect under the season’s boyfriend blazers or topping one of the ubiquitous high-waisted skirts. Best of all, the Robertson Boulevard shop is offering 20 percent off qualifying purchases on its Web site today, when you enter the code “KAIN” at checkout. Tim Hamilton is Paris-bound: Not only did the designer debut his womenswear collection in the City of Light last season, but now he’s moving his menswear show there, as well. But that doesn’t mean that Hamilton, who keeps his studio on the Lower East Side, is turning his back on New York City entirely.

He tells us that he’s planning a cocktail event for New York fashion week, possibly to include a preview of his men’s and women’s looks for Spring 2010. “Well, I can’t forget New York, can I?” he explains. “I thought I would do something at night, maybe show a few looks or do a video installation of some kind.” Obviously, details are still be worked out, but it’s nice to know that Hamilton is keeping the locals in mind.

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